Cigarette Products:

The Social History of Smoking

George Latimer Apperson

Chapter 10:

This experiment in the direction of wooden pipes was interesting, and deserves to be remembered; but it was not long before the briar was introduced and carried everything before it.

It was about 1859 that the use of the root of the White Heath (Erica arborea), a native of the South of France, Corsica, and some other localities, for the purpose of making tobacco-pipes was introduced into this country. The word "brier" or "briar" has no connexion whatever with the prickly, thorny briar which bears the lovely wild rose. It is derived from the French bruyère, heath—the root of the White Heath being the material known as "briar" or "brier," and at first as "bruyer." The Oxford Dictionary quotes an advertisement from the Tobacco Trade Review of so recent a date as February 8, 1868, of a "Heath Pipe: in Bruyer Wood." The briar pipe not only soon drove the clay largely out of use, but immensely increased the number of pipe-smokers. Bulwer Lytton may not have known the briar, but he wrote enthusiastically of the pipe. Every smoker knows the glowing tribute he paid to it in his "Night and Morning," which appeared in 1841. It is terser and more to the point than most panegyrics: "A pipe! It is a great soother, a pleasant comforter. Blue devils fly before its honest breath. It ripens the brain, it opens the heart; and the man who smokes thinks like a sage and acts like a Samaritan."

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The Social History of Smoking

George Latimer Apperson

Chapter 13:

The ladies who so surprised Dickens were English and American, but at the period in question-the early 'forties of the last century-one of the freaks of fashion at Paris was the giving of luncheon parties for ladies only, at which cigars were handed round.

The first hints of feminine smoking in England may be traced, like so many other changes in fashion, in the pages of Punch. In 1851, steady-going folk were alarmed and shocked at a sudden and short-lived outburst of "bloomerism," imported from the United States. Of course it was at once suggested that women who would go so far as to imitate masculine attire and to emancipate themselves from the usual conventions of feminine dress, would naturally seek to imitate men in other ways also. Leech had a picture of "A Quiet Smoke" in Punch, which depicted five ladies in short wide skirts and "bloomers" in a tobacconist's shop, two smoking cigars and one a pipe, while "one of the inferior animals" behind the counter was selling tobacco. But this was satire and hardly had much relation to fact.

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